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El 29 de septiembre de 2009 ARCH ENEMY publicarán su
nuevo disco de estudio, 'The Root Of All Evil'. Este trabajo contiene canciones
extraídas de los tres primeros discos de la banda, “Black Earth”
(1996), “Stigmata” (1998) y “Burning Bridges” (1999), completamente regrabadas
y renovadas gracias a la impresionante formación que tienen en la
actualidad.
Este proyecto fue realizado con la idea de poder volver a utilizar
estos temas en el directo, y de esa manera poder seguir girando y ofreciendo
algo nuevo, fresco y distinto.
El álbum ha sido grabado en distintos lugares de Suecia y ha
sido producido por ARCH ENEMY, con el propio Daniel Elandsson en la producción,
acompañado por Rickard Bengtsson.
Para la portada, la banda ha elegido al artista brasileño Gustavo
Sazes. El resultado de su trabajo puede ser visto en alta definición
en el link que encontraréis a continuación:
http://specials.centurymedia.de/myspace/arch_enemy_root_of_all_evil.jpg
Archenemy Records Company
Allston (MA)-USA
AE Know your enemy | Friends of the Archenemy Records
Company
CD recopilatorio
 The
elevator Drops | Lifestyle | Blake Hazard | Rockets burst from the Streetlamps
| Freezepop | The ghost of Tony Gold | Mistle Thrust | The mourning
after | The Texas Governor | Commodore vic 20 with Leah Callahan | The
hidden variable | Neptune | We're all gonna die | Intelevision | Bastian
- blessing | The boy joys | Moveable | David Keyes | Mellonova | The choice
of tragic wives
.
La compañía discográfica ubicada en Allston (MA)-USA,
Archenemy Records, ha lanzado un recopilatorio con 20 bandas, entre ellas
las de su sello. Un disco que no recoge un único estilo de música,
sino que intenta mostrar tendencias y conceptos vanguardistas. Grupos como
The Elevators Drops; Rockets Burst from the streetlamps, Freezepop o Neptune
muestran parte de la creación que se está haciendo en círculos
alternativos tanto de EEUU como de Europa, de Boston, Alaska, Suecia, Jamaica...
Los creadores del recopilatorio afirman que es la música que aman,
sus amigos, 20 visiones de la música de hoy, 20 opiniones diversas,
20 voces individuales. Es caótico y ha sido difícil ordenar
sus tracks, pero a pesar de ellos, Archenemy ha conseguido un trabajo compacto
que funciona como conjunto a pesar de su diversidad.
Para más información sobre este disco, grupos y compañía
www.archenemy.com
e-mail archinfo@archenemy.com
Rockets burst from the Streetlamps
Allston -MA -USA
 Formado
en 1996, la banda comienza a trabajar en pequeños shows y tras varias
vicisitudes con cambios de formación, será en agosto de 1997
cuando inician la grabación de su album de debut "Above a Moving
Train", que vería la luz el 21 de febrero de 1999, el día
del nacimiento Anais Nin. Con este trabajo consiguieron entrar en diversos
charts de Alaska, Yugoslavia y Suiza. Proximamente saldrá a la venta
un segundo album en el que ya trabajan y será publicado por Archenemy
Rockets burst from the Streetlamps tambien trabajan en películas,
libros, ilustraciones infantiles y diversos espacios creativos. www.stodgy.com/rockets
In August of 1997, they began work on their debut album, recording to 24-track
at Prophet Sound with their producer Sean Drinkwater (of Lifestyle). To
skip ahead, fifteen months and too much crap-Chinese food later, it was
completed. It is titled "above a moving train" and is on Archenemy Records.
The official release was 21 February 1999 (Anais Nin's birthday). The band
celebrated by playing an extra-drunk show at O'Brien's at which a splendiferous
time was had by all.
They built a 12 by 12 foot soundproof brown box in which to practice in
the middle of their loft.
 The
Rockets' debut cd, Above a Moving Train, with ultra-deluxe packaging was
released February 21, 1999. It was recorded in 1997 and 1998 at Prophet
under the loving producership of Sean T. Drinkwater. Special guests on
the album include Rick's sister Val doing some backing vocals and Jon Keay,
of The Ghost of Tony Gold, providing stand-up bass. Check out our catalog
section for ordering info. A new 7" will also be available soon. This 7"
will feature two new tracks, our live pop staple "The Cartographer" as
well as a studio creation "All the Same," which is, to say the least, a
unique creation. Look for this 7" this summer. cd cover design by Annie
Smidt, photo by Nick Laudadio
Contact:
www.archenemy.com e-mail
archinfo@archenemy.com
mp3
http://www.archenemy.com/mp3/index.html
Lifestyle
Boston, Paris, London
 En
1988, el vocalista Sean T. Drinkwater y el percusionista Scott Roberge
se conocieron en el septimo grado de sus clases de Ingles. Comenzaba una
relación musical con un interes por la música de Duran Duran.
Era el inicio de lo que, más tarde, sería Lifestyle. Un estilo
resultante de una cuidadosa evolución de 10 años, con cambios
de nombre y cientos de canciones. Tras trasladarse a Boston en 1994, el
grupo comenzó una nueva etapa de su evolución, volvían
de una segunda visita a Europa, donde habían girado por Alemania,
Belgica y Francia.
En 1998 publican con Archenemy Records, "At the risk of sounding pretentious
". Planean la conquista de USA con una gira que se realizará en
el otoño de 2001.
"At the risk of sounding pretentious "
CD
 The
Archenemy Record Company is honoured to announce the official debut album
from Boston's brightest star in the pop music galaxy, Lifestyle. At the
risk of sounding pretentious marks a completely new genre, painstakingly
created from a diverse recipe of synth pop and lounge lizard croon, combined
with jet-set style and wit. The album is the exciting beginning of the
Lifestyle adventure, which celebrates the rise of new wave gods like Duran
Duran and the Human League, Burt Bacharachesque songwriting, and the breezy
70's pop of Wings and the Bee Gees. "No, for the millionth time, it's not
a joke," sighs singer Sean T. Drinkwater, "it's something special and new,
born out of a genuinely loving appreciation, OK? I really like synth pop,
and I'm not ashamed to admit it." In all areas of its sound and image (right
down to the parallelograms and polka dots of the cd cover), Lifestyle looks
to the past, and then turns around and marches into the future. The combo,
which ranges in size from its three core members, to the full, crowd-fainting,
deluxe adventure team of eleven "personalities," aims to do nothing more
than please the senses with their new exotic experience. Previously known
as Rudimentary Paste, the group is refocused and rejuvenated with both
life and style, and plans to tour in support of the new album as well as
release a non-album seven inch single on Washington, D.C.'s Teen Beat Records.
A collection of b-sides, remixes, live tracks, rarities, and covers will
follow as Companion, a bonus CD available while supplies last, with purchase
of At the risk of sounding pretentious . cd cover design by Jussi Gamache,
photography by Jill Simonsen
Contact:
www.archenemy.com e-mail
archinfo@archenemy.com
mp3
http://www.archenemy.com/mp3/index.html
Neptune
Jamaica Plain
 Formado
por Jason Sanford (guitarra, voz) Chris Huggins (Guitarra, voz) John Manson
(batería y percusión) Daniel Boucher (sawblades, oil drums),
comenzaron en 1995. Se caracterizan por la aplicación de la informática
y la electrónica a la música, computadoras mezcladas con
músicos en vivo. Fabrican sus propios instrumentos para conseguir
sonidos muy particulares. Cualquier objeto es suceptible de emitir sonidos
musicales. Su primer disco aparece en 1999 "Studio Recording / May MCMXCVII".
Contact:
www.velvettabla.com/neptune
www.archenemy.com e-mail archinfo@archenemy.com
Studio Recordings/May MCMXCVII
 is
the long-awaited debut CD by Neptune, a well-established local art/rock/noise
ensemble. The band have received much attention due to their instruments,
created out of scrap metal by vocalist/guitarist Jason Sanford. Works of
art in and of themselves, these instruments give Neptune a distinctive,
edgy sound. Neptune have two previous 7" recordings, a self-titled, self-released
single, and Swang, on Anti-Social Records, and several of their songs have
appeared on the Sublingual Records compilation Boston Underbelly. Archenemy
will also soon be releasing Studio Recordings/May MCMXCVII in a deluxe
limited-edition LP format, complete with handcrafted sheet metal sleeves.
cd cover design by Malcolm Felder
mp3
http://www.archenemy.com/mp3/index.html
Freezepop
Boston -USA pagina y fotos directo en IndyRock
 Banda
de Synthpop formada en Boston en 1999, realizan una musica calificada como
un cruce entre Kraftwerk, Depeche Mode. Con Archeney editan dos trabajos
EP naranja y Ep púrpura www.freezepop.net.
www.archenemy.com e-mail archinfo@archenemy.com
mp3
http://www.archenemy.com/mp3/index.html
 The
summer of '99 was a hot one in Boston. Many fruity frozen treats were consumed.
The only way to relieve the heat was to form a synthpop band. Freezepop
is the union of Liz Enthusiasm, a stylish songstress with a cute chihuahua
and mob ties to The Archenemy Record Company and Lifestyle, the Duke of
Candied Apples, programmer extraordinaire of the qy-70 and bound concubine
to the Symbion Project, and the other Sean T. Drinkwater, a powerhouse
of synths and vocoder, who is often confused with the original Sean T.
Drinkwater (of Lifestyle, the Drop Dead Sweethearts, Veronica Black Morpheus
Nipple, The Archenemy Record Company, and numerous other musical associations),
but is actually his clone. Freezepop was born out of the glory dayz of
synth bands like Kraftwerk, Depeche Mode, and the Human League, but has
its tentacles wrapped around the future. All the Freezepop songs are programmed
on a Yamaha qy-70, a portable handheld battery-powered sequencer. A typical
day in the life of a Freezepop song: Liz wakes up at the crack of dawn
and begins brewing a fresh pot of lyrics, sometimes innocent, sometimes
less-than-innocent, and sometimes in another language and making very little
sense. Meanwhile, the Duke drops the blippy drums off at school and swings
by the cleaners to get the synthpads chorused up for the dinner party.
Later in the day, the Other Sean is out walking the vocoder and stops by
the delicatessen for a fat bass sandwich. Later that evening after a long
day, the Duke tucks song into bed and goes to read the latest issue of
Scientific American.
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